Big square #1

Each shell is positioned in a grid-like formation, ordered by size, form, and hue, creating a visual rhythm reminiscent of both scientific specimen classification and modern conceptual art.
The palette is predominantly soft whites, creams, and pale pinks, subtly transitioning across the composition to emphasize the delicate tonal variations inherent in natural materials. The uniform lighting and absence of shadows further enhance the sense of purity and order, inviting the viewer to contemplate the tension between nature’s organic irregularity and human-imposed structure.
This piece can be interpreted as an exploration of collecting as an artistic act-transforming found objects into a study of texture, form, and repetition. It evokes themes of memory, curation, and the human desire to impose harmony upon nature’s diversity. The overall effect is serene, meditative, and intellectually precise, aligning the work with traditions of naturalist documentation and contemporary minimalism.